This pictorial practice explores the trace as the origin of form. Through ink and charcoal, surfaces emerge from processes of stratification, tension, and partial erasure, evoking mineral structures and states of matter in transformation.
Situated at the threshold of legibility, the compositions open a space where perception shifts between appearance and disappearance. The gesture, both controlled and instinctive, articulates a temporal dimension in which material unfolds as a territory—at once physical and perceptual.